Now, when you import a clip from the Media Browser it will get automatically transcoded and dropped on your timeline. In this particular case, Teller suggests utilizing the 1024×540 GoPro Cineform preset. You also have to select a preset for the proxies. Meanwhile, after you import your GH5 10-bit files in the Media Browser enable Ingest on the top left-hand side, access the Ingest Settings and choose Create Proxies. Keep in mind, though, even with that feature enabled, Premiere Pro CC will still render out using the original file. Once you select this option, the viewer panel will use the proxies instead of the original file for playback. To do so, you can right click on the viewer panel, then find the View Proxies option, and drag it next to your controls. To make this trick work, you have to enable the proxy on your viewer in Premiere Pro CC first to see the proxy file, instead of the original.

The codec that Daniel Teller highly recommends when working on a PC is GoPro CineForm. You can do transcoding directly in the Media Encoder or use any other third-party application such as Cruncher or FootageStudio 4K. Probably, it won’t allow you to edit the transcoded GH5 10-bit files on your PC flawlessly in each and every situation, but it’s still some sort of solution before Adobe officially releases the imminent, long-awaited update that should fix the issue once and for all.Īll in all, whether you’re using Premiere Pro CC or DaVinci Resolve on your PC, transcoding is still the way to go when dealing with the GH5 10-bit footage. Those of you who don’t have access to a Mac computer and FCPX, in particular, should be well aware how daunting and tedious video editing of the GH5 422 10bit footage on a PC could be.įortunately, filmmaker Daniel Teller has an alternative video editing workflow in mind, that could help with this overwhelming task.

How to edit mov files in premiere pro